So few things in life exist in a binary system; black and white, eponymous with the saying, rather trite, are actually quite unique, anamolous. So few things exist with those hard, sharp edges, so definitively and clearly and beautifully delineating one from other, one from opposite. Graphic black and white, my current trusted motif, is being touted as a in-the-moment trend, a label that seems, simply, unfair. Sun and moon rise and fall each day; black and white has never left.
The window pane pattern, that perfection of replicable and straight grid lock, is a classic, a classic that has somehow eluded my wardrobe until recently. This window pane pattern dress, a form-fitting shift with a flattering scoop neck, joins the ranks of my various recent black and white acquisitions. It has a Georgy Girl mod-vibe, an era and an aesthetic that I can always support and am always in the mood to rock. The other week, I paired my new dress with a bevy of black and white bangles; the oblong curved bangle, black and white lines imperfect and asymmetrical, offered a great contrast in texture to the stringent pattern of the dress.
Three neon red spheres suspended from golden rods, deconstructed cherries. These earrings added an unexpected and welcoming bit of color spark to the look.
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