Wednesday, August 21, 2013
Feast or famine has, for some significant but unquantifiable time, been a sort of personal mantra, philosophically and physically. Go hard, or go home. All or nothing. Moderation, temperance, have never much been my thing. Appropriately, and inconveniently, I am tormented by a residual late afternoon headache, a consequence of such an approach to life.
Like other days of the week, weekends revolve around food and drink; location, atmosphere, company. Early afternoon on a Saturday, there are two typical scenarios in the dining algorithm: a sit-down, formal brunch affair, or, a fresh bagel, slathered in cream cheese. I am, usually, equally sated by either or, aside from that one critical, aptly chosen detail. The deluge of dairy smear that nearly strangles. This is where I practice constraint. Procedural, or perhaps ritual, each bagel, each time, I separate the halves, scrape away the excesses of delicious fat, paint with my portion until, to my satisfaction, the layer of flavor is even and not too much, careful on those moments when jalapeno or chive seem particularly alluring to not ignore those all too critical chunks.
Thursday, August 15, 2013
Knees scuffed, hair a perpetual knot of entropy, I was more the basic and beloved tomboy archetype than the fairy princess as a young girl. Though my afternoons were more likely spent playing with dump trucks, plowing through brown dirt and terrorizing the local pill bugs, rather than pilfering lipstick from my mother, practicing my pucker, I was not immune to the Barbie doll phenomenon. Even when spending an afternoon building a huge dream home for my Barbie and her various friends, leveraging bizarre ornaments and chachkas invariably housed in my and my friends' basements, this did not segue into painting our nails and lips. Generally, it led to romping around outside, looking for toads. Countless plastic bodies, immobile and contorted, lay piled in large cardboard boxes in my basement, amid a flood of neon shoes and evening dresses. Despite the frenzy of their storage, something more akin to a guerrilla war zone, I loved these dolls. And, to be fair, was more gentle with them as I grew older, a sort of strange tension, where the realization of their superficiality as toys enhances, yet the association of their doll bodies with approaching feminine development also strengthens. They grew more fake, yet I treated them more like actual miniature people.
As I would assume is fairly common, my tomboy tendencies were fostered and encouraged by my father. To this day, he adheres to a natural over artificial approach when it comes to grooming. The one time in early adolescence when I did paint my nails with a friend, furtively, in some atrocious algal green and yellow, surely ended in some disapproving comment, though, what exactly I do not remember. Which is probably a good thing, at least for my own sanity. So, unlike many of the girls my age, in my circumstance, I did not actually own a bottle of nail polish until my junior year of high school. An added flair before my junior prom dance, the shade was a deep ruby wine, a more glittered and cheerful blood, and it matched my dress. Raven Red by Revlon, a loose nod to Edgar Allen Poe. With this as my seminal precedent, for years after, the only shade I wore was this, rarely, slowly emptying the bottle.
Eventually, probably around the time that whatever remark about my unattractive forest moss green nails was forgotten, I branched out, to other variations in the dark red family. Cherry Crush. Revlon Red. Frankly Scarlet. At the start of the summer, taunted by the austere lust of the cosmetics aisle of the pharmacy, I stared at the rows. In my chromatic comfort zone, I owned them all. Each one. Hastily, I grabbed some blindingly fuchsia tint and ran to the register. Did not look back.
First remorse, then neglect. Earlier this week, I finally cracked open the bright pink, slicked it on. Immediately, my nails adopt a plastic sheen. Curved keratin becomes that iconic tiny plastic pump of my childhood, and I remember the frustration when, inevitably, one would disappear into the abyss of the play room.
(image taken from Ron's Rescued Treasures)
Thursday, August 8, 2013
After years spent rummaging through the random drawers and scratched plastic cases of various antique and thrift stores, I have grown accustomed to cheap, low prices for bold costume jewelry. Now, with such a vehement resurgence of classic costume aesthetics of earlier decades by numerous popular commercial fashion franchises, most notably J. Crew, I am shocked at the prices so many seem willing to pay, but more so am disappointed at how prevalent some of my favorite, once unique pieces now appear. Such is the cyclic nature of trends. So little remains original.
To wax a bit more philosophical on the subject, I suppose, with that price, comes an assurance of timeliness, popularity, consumer-tested appeal. A sort of playground, schoolyard approval. With pawing through a pile of knotted fake metals and neon plastics, there comes a certain risk; an adventure. There is choice. With that, both successes and failures.
I found both of these necklaces, one a simple paved road chain, one a cluster of gilded leaves, at the same dumpy antique odds and ends shop in Ithaca, squirreled away in a dingy mall between an old, used book store and a new age children's toy shop. They were purchased on separate occasions, and typically have been worn alone, but the other day, while donning a simple chambray blouse, paired them together. Coincidentally, the light, almost sunlight white gold of each metal nearly matches, allowing the clash of texture and shape to come to the foreground of the coupling. With such a plain, soft, and androgynous outfit, the pile of metal added a hard feminine edge.