Wednesday, August 31, 2011
Outfit for a Wednesday: Cream and Gold Swirls
Tuesday, August 30, 2011
Venison is for Lovers
(image taken from Rolling Hills Red Deer Farm)
After a long and tedious day of bringing home the proverbial bacon, during which I endured particularly soporific presentations on the declining market landscape of an enduring antibacterial product portfolio and strategies to infuse energy into emerging markets, few sensual experiences are more satisfying than rare venison filet mignon.
Monday, August 29, 2011
Come On Irene, Redux
Irene has come and gone, bringing with her simpler times riding sweetly on her breath: my town, which built their electric sub-station along a flowing river, is without any power for an indeterminate period of time. So, I find myself now in a local coffee shop, the next town over, a place called Drip in Madison. While the seductive lure of free wireless Internet was certainly appealing, I was mostly drawn to this location for its coffee offerings: Drip is the only coffee shop outside of Ithaca, New York, and more recently Williamsburg, Brooklyn, where I have found Gimme coffee. As I enjoy my large, iced Americano, with delicious espresso, I am able to check my messages, both personal and work.
Spending last night playing card and board games by candle light was quite pleasant; unfortunately, the world continues to spin and turn without you, sometimes, and not being connected can be a glorious yet grand inconvenience.
(image taken from The Young and Hungry)
Saturday, August 27, 2011
Decadence on a Dime: Charcuterie and Martini
Friday, August 26, 2011
Come On Irene
Last night, while trying to soothe my thoughts and make a decision, I, wisely, went out with the filmmaker for some tequila cocktails at a favorite local lounge, which is equally ridiculous and amazing. Inspired by some fashion editorials I had been perusing earlier in the afternoon, in which men's wear was prominent, I pulled out this large and long men's Brooks Brothers dress shirt from underneath my bed, stowed safe and sound in some storage containers. I paired the dress-like dress shirt with a relatively recent acquisition, very tight and light, almost white, denim pants from Gap. For the finish, I wore a pair of tall black wedges.
Friday morning coffee soundtrack: There Is Love In You Four Tet
Thursday, August 25, 2011
Superfine Baby Shower Brunch
This lovely centerpiece was a gift to Elizabeth from her long-time friend from university, Sara, who unfortunately was not able to be present, busy with a photography shoot, a quite important previous engagement. She and her dapper boyfriend Eric own a soap boutique and a flourishing floral arrangements business; her soap shop, and her blog, are called Saipua. I highly recommend her products for gifts or surprises, for any occasion.
At our parent's home, stowed away in a large album, there is a coffee-tinted photograph of my sister as a small baby, our mother, her mother, and her grandmother. My maternal grandmother passed away before I was born; what I know of her, I have gleaned from such relics as photographs and from my mother's anecdotes. In a way, with grandmother, aunt, mother, and baby, excited and beaming with anticipation for her arrival, this photograph pays tributes to all the old and new generations of our family.
Wednesday, August 24, 2011
Vogue and Oreos
(image taken from Rare Delights)
This evening, while meandering the aisles aimlessly of the grocery store, idly and carefully selecting some produce items to make a salad and some deli meats to make a sandwich, I made two impulse purchases: first, I surrendered to a box of Double Stuff Oreos, and second, I succumbed to the seductive sartorial wiles of the Vogue September issue. To be fair, I will admit that, while still a relatively impulsive buy, I indulge in artificial, high fructose corn syrup laden boxed cookies much more frequently than I actually spend money and time investing in a fashion magazine.
Although seemingly quite incongruous, superficially at odds and of competing ideologies, these two items, one resplendent with chemical sucrose, the other with constructed shimmers and sheens and rich fabrics, and rightfully so, as in almost all cases the models displayed, splayed across pages, and all the various visual and textual creators of the tome appear as though they would deign not touch a mass-produced baked product, let alone eat one, the Oreo and the magazine actually share much in common. Both are massively consumed, icons of obsession and devotion, bastions of our capitalist society and testaments to the advances of global economics, technology, branding. In both the Double Stuff Oreo and the textbook-length fashion guidebook, there can be found masterpieces of human creative and analytical faculties, of progress in industrial technique, manufacturing, design, demand innovation.
And, naturally, between both the chocolate wafer cookies and between the paper-pulp covers, there is certainly a fair amount of fluff, of viscerality without purpose or function, to the pure pragmatic, but indeed, substance that makes life seem more sweet, more pleasurable.
Although seemingly quite incongruous, superficially at odds and of competing ideologies, these two items, one resplendent with chemical sucrose, the other with constructed shimmers and sheens and rich fabrics, and rightfully so, as in almost all cases the models displayed, splayed across pages, and all the various visual and textual creators of the tome appear as though they would deign not touch a mass-produced baked product, let alone eat one, the Oreo and the magazine actually share much in common. Both are massively consumed, icons of obsession and devotion, bastions of our capitalist society and testaments to the advances of global economics, technology, branding. In both the Double Stuff Oreo and the textbook-length fashion guidebook, there can be found masterpieces of human creative and analytical faculties, of progress in industrial technique, manufacturing, design, demand innovation.
And, naturally, between both the chocolate wafer cookies and between the paper-pulp covers, there is certainly a fair amount of fluff, of viscerality without purpose or function, to the pure pragmatic, but indeed, substance that makes life seem more sweet, more pleasurable.
Tuesday, August 23, 2011
Barbie for Baby
Apparently, my sister's husband, David, my newly, freshly minted big brother-in-law, has decided that he wants their growing baby girl to play solely with toys carved from wood, the flesh of trees. While I can respect his sentimentalism and reverence for seemingly, or at least superficially, simpler times, I must admit that I cannot wait to spoil my niece with Barbie dolls. Surely, in his edict of the toys, David did not mean to include dolls.
Popular media, fed and spurred by the thoughts and rants of pragmatically idle scholars, condemned Barbie as a bastion for feminine fantasy, for infiltration within the minds of entire generations of girls with sadistic and unattainable ideals of body image. This left little choice but for the manufacturers and designers, in recent years, to alter her dimensions to more manageable and realistic proportions. Breasts were demoted, hips scaled back, waist widened. To be honest, I played with Barbie voraciously as a child and as an early adolescent, and while subconsciously I am sure I visually consumed the physiological impossibilities of this idol, I never once sat and contemplated hip-to-waist ratios, or whether a true-sized Barbie human would be able to stand. I did not care. Barbie embodied one thing for me: possibility. Possibility for career paths, possibility for friendships and relationships, for complete balance between professional career and social niceties. She was a beautiful, malleable dream, a malleable piece of imagination and opportunity.
I hope I can peruse some garage sales, or perhaps some consignment shops, to locate an original Barbie, and a classic Barbie from my era, before her body transformation. I also cannot wait to spoil my niece, to revisit, to again imbibe, the explorations of childhood and innocent possibilities with her.
Saturday Brunch and Soliloquy in Red
The nude thong sandals I have owned for ages; seriously, I estimate since high school. They are a shoe that, since I have had forever and since at the time they were given to me they were too classic and traditional for my confused, harried adolescent mind to want to wear frequently, I almost always forget about, but then am pleasantly surprised when I find them again in my closet. Basic, clean, simple lines and a neutral color to match my entire wardrobe, they are comfortable for a quick jaunt to brunch or the store, yet also would be appropriate for a garden or pool party, cocktails on a patio, an array of casual summer social occasions.
With simple navy and a basic, mostly shapeless structure to my dress, the red and white polka dot faux-turban adds some intrigue to the look, and a certain misappropriated, westernized exoticism, as I imagine would be in the vein of 1930s expatriate gilded girls sculpted in the texts of Fitzgerald.
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